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Sundial Soliloquy

by Reinventing Jude

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of NAZARÉ, Stuntman at 35, Day/Song #7, The Trick Is..., Sundial Soliloquy, and Shoulder Season. , and , .

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1.
Smoke 04:44
The air is so thick & the smoke from your mouth just hangs around. I don't know I, I just wake up this way. Said I don't know. I just wake up this way. Well, you freeze up my air with the words that don't come out. And you freeze up my air with the words you won't let out. I don't know I, I just wake up this way. Said I don't know I, I just wake up this way. Well, there's a cloud that hovers over my ground. Yes, a cloud, hovers over my sound. I don't know I, I just wake up this way. Said I don't know I, I just wake up this way. Just wake up this way. Just wake up this way. Just wake up.
2.
1919 04:49
I don't mind the shaded shine, nor the moon when it fails to glow. I don't mind the jaded kind take you where you would never go. And I, I didn't wanna go, I didn't. And I didn't wanna know, I didn't.` I don't mind the calloused kind with tatoos on their souls. I don't mind the aching mind. Shiver & shake close to home. And I, I didn't wanna know, I didn't. And I didn't wanna go, I didn't.` You, you're like a 1919 porch swing. Hold me & sway me round. Yeah, you, you got a 1919 kind of feeling, take me up & take me down. You, you're like a 1919 porch swing. Hold me & sway me round. Yeah, you got a 1919 kind of feeling like a great big old house with the marks of a century.
3.
Midnight 30 04:44
I don't see the light. Only their faces at the foot rest by my bed side. I hear a train coming for me. I'm too old for running to safety. Don't you see 'em staring there waiting. Heaven knows where they'll lay my soul down. Lay me down. Lay it on me. 'Cause I don't see. They lied. Only their faces at the foot rest by my bedside. I hear a train coming for me. I'm too old for running to safety. Don't you 'em staring, they're waiting. Well, Heaven knows where they'll lay my soul down. Lay it on me. Lay me down, I'm ready. Lay me down. Lay it on me. I hear a train coming for me. I'm too old for running to safety. Don't you 'em staring, they're waiting. Well, Heaven knows where they'll lay my soul down. Lay it on me. Lay me down, I'm ready. Lay me down. Lay it on me. I hear a train coming. I hear a train coming. I hear a train coming for me...for me..for me.
4.
The Talk 04:07
For how long has this happened or when did it begin? And how long you been trackin' the time before you let me in? Well, I, I need an easy way out. Paint me an exit. Well, I, I need an easy way out. Paint me an exit. Now. Now. Now. For how long you been dancing around this merry end? Fingernails, toe-tappin, chaulk under my skin. Well, I, I need an easy way out. Paint me an exit. Color me an out. Color me out. 'Cause I would have hung around. I would have stuck it out. Yeah, I would have hung around. I would have worked it out. Now for all this rearranging that consequently must get done, shape-shifting soul-saving at the mercy of another one. Well, I need an easy way out. Paint me an exit. I need an easy way out. Paint me an exit. Have you been waiting on me while I'm waiting on myself? Have you been waiting on me while I wait on myself? Have you been waiting on me while I wait on myself? Have you been waiting on me while I wait on myself? 'Cause I would have hung around. I would have stuck it out. I would have hung around. I would have worked it out. Color me an out. Color me out.
5.
The Weather 07:16
I creeped around a corner to find a memory with your trace. The weather was fine. The weather was fine. The weather. I chanced upon a chance to descry the scent that fills your space. The weather was fine. The weather was fine. The weather. The weather was fine, the weather was fine, the weather. The weather was fine, the weather was fine when we were. Were you walking the line? Don't lose your face. Were you talking in rhyme? Don't lose your grace. Were you standing in line? Don't lose your place. Will you make it in time OK?
6.
Wet Cement 05:29
When that cherried ember catches for that fire you can barely afford. And when that cherried ember catches, I will, I'll hold your hand. You laughed so hard you ripped your heart, it's mighty chambers. You laugh so hard, you melt my heart, all its danger. You laugh so hard. You ripped your heart, its mighty chambers. You laugh so hard you broke my art, broke my art, broke me in. You're my favorite whim. You're my favorite. You're my favorite whim. You're my favorite. I need more air. I need more air. I need more air. I need more. You laugh so hard. You ripped your heart, its mighty chambers. You laugh so hard. You melt my heart & all its danger. You laughed so hard. You ripped your heart, its mighty chambers. You laughed so hard, you broke my art. You broke my art. You broke me in. You're my favorite whim. Oh, you're my favorite whim. Oh, you're my favorite. You're my favorite. I need more air, I need more air to let you in. I need more air. I need more. I need. I need more air.
7.
Swimmer Song 03:37
What are you looking for? Anything I see. You're giving me a hard time. Well, a hard time's what you need. What are you waiting for and how can you be? Darling, you're a big blue whale, you belong in the sea. In the sea. What happened to your fire? Your light is dim. Think my heart got tired caught up in ash & wind. My light burns brighter after I've held it in. Brighter than my darkness & lighter than your dim. Oh, man can you swim? What are you looking for? Maybe one day it'll be me. Somewhere off the coast helping turtles to the sea, saying "Swimmers be free. Swim on, on out to the sea. You belong, long to be free. You belong, long to the sea. Maybe. Maybe. You belong to the sea. Maybe you belong with me. Maybe you long to be free. Maybe. Maybe, babe.
8.
Heart & soul tied up in string, strung along, sometimes strangling. Thoughts & bones tied up in string, prepared for more packaging of expressions lost to machines, to machines. Well, there's nothing left to see, just dried up skins dangling from their own glory, some glory. What glory is there? What's a sun with light bulb beams, battery operated silence screams, electrical outlets for integrity? Put a soul on that face for me, that face for me. Or control in your breathing, you're breathing. Put a hole in that haze for me, that haze for me. And savor the seething, the bleeding. Save the race. Save her. Save the race. Save her. It's not that pretty broken down into pieces of nothing. Oh, and you're not that pretty broken down when you're a pretty little nothing. Oh, you're sundried metal, empty skin. Your sundried metal is what you're in, is what you're in. I broke you into pieces on my floor. I broke you into pieces by my door. I broke you into pieces & swept you up. You're sundried metal, empty skin. Your sundried metal is what you're in... is what you're in..is what you're in..
9.
2 UFO's 04:27
I'll stay in touch, I won't leave you behind. I have your picture always behind eyes. And you'll get further & further with time. There's still a pause, but no need to rewind. 'Cause we're already living in reverse. We're repeating the same old verse. We're all driving, driven by words. We're history in a verse. So I'll stay in touch, I won't leave you behind. I have your picture always in my mind. And if we grew up backwards, backwards insight, there's still a chance that we would turn out all right. All right. 'Cause we're already living in reverse. We're repeating the same old verse. We're all driving, driven by words. We're history in a verse.
10.
Divorce 03:37
I'm tired of the war, of the war. I'm tired, back & forth, back & forth. I'm tired of the biting remarks, of the biting remarks. Say what you must, but consider the children. Don't say words that mar innocent ears & impartial hearts. Impartial hearts. Impartial hearts.
11.
Burn 04:06
You acted like you wanted me. Do you remember those things you said to me that night under the covers? Well, let's not take this seriously, just want to see what all you're gonna give to me, but I'm not your friend. I'm not your lover. 'Cause I don't want you anymore. I had a backup plan & a backup lover. Yeah, and I don't need you anymore. I got what I can. It's time to take cover. You acted like you wanted me. Do you remember those things you said to me those nights? Well, I fell for it. Well, let's not take this seriously, just want to see what all you're gonna give to me, but I'm not your friend. I'm not your lover. 'Cause I don't want you anymore. I had a backup plan & a backup lover. Yeah, and I don't need you anymore. I got what I can. There's nothing left to discover. But it burns. You bring the matches. I got the paper & the wood. I'm gonna burn you to ashes. I'm gonna burn you like I should. Well, I don't want you anymore. I have a masterplan & I don't need no lover. Yeah. Yeah, I don't want you anymore, I got what I can. It's time to take cover. But it burns...

about

"It's a cross between melancholy vibes and a low-end background experimental-jazz fused with some amazing indie elements. The multi-instrumentals concept as well as the Jude stunning vocals is simply a plus on this album as it brings an added value / layer on top of everything that is already beautiful. A VERY BIG WELL DONE GUYS!!! This is even bigger and better than “Shoulder Season”. -The Sirens Sound

credits

released August 1, 2013

Jude Gonzalez: Vocals, guitar
Nathan Hanlon: Lead guitar
Chris Townsend: Bass
Yun Kim: Drums
Ashley Montez: Violin
Lauren Barry: Cello
Spencer Meehan: Saxophone
Nigel Newton: Vibraphone
Gaika James: Trombone
Steward McCarty: Cornet

Produced by Salim Nourallah
Recorded at Pleasantry Lane Studio www.pleasantrylane.com
Mastered by Matt Agoglia at The Ranch Mastering www.theranchmastering.com

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Reinventing Jude Dana Point, California

Fronted by one of the most admired female artists in Texas, California-born Texas-bred Jude Gonzalez, Reinventing Jude blends soul, indie rock and blues seamlessly into a symphony of musical bliss. Drawing inspiration from Billie Holiday and Radiohead, RJ is unlike any band you have ever heard before. ... more

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